Looking Back

I was speaking with a gentleman the other day and he asked me when I started at the Walt Disney Studios. He was surprised, and remarked he had began his Disney career around the same time. Since this gentleman was known for his athletic ability when he was a youngster he immediately began speaking about all the sports once played on the Disney studio lot. We talked about the softball field and the ping pong tables. There was even horseshoe pitching near the commissary. However, it was the volleyball tournaments he remembered fondly. “We used to have two teams,” he said. “The live-action guys played against the animation guys. Boy, that was a lot of fun.”

Being an old timer myself, I did indeed remember those days. I still remember crowds gathering to watch the games and the Walt Disney Studio was less a business and more a family enterprise. If I recall correctly, even filmmaker, Tim Burton played on the animation team. Today, Burton is a big shot Hollywood director. I wonder which side he'd choose to play on today? Naturally, the Walt Disney Company today bares little resemblance to Walt's family company back in the fifties and sixties. I'm sure sports activities continue, but hardly in the same way they did back then.

Of course, there were other changes as well. Back then, every desk and conference room had ash trays on the table. You couldn't go into a conference room without seeing those familiar stand up ash trays that were a part of the era when everybody lit up a cigarette. Thankfully, that loathsome habit is one of the things we've gladly left behind. And, speaking of bad habits, there was a bar upstairs in the Penthouse Club, where big shots could knock back a few after a hard days work. I can't help but think of the television show, “Mad Men” when it comes to depicting that sixties life style.

Another major change we've seen in corporate America is the emergence of what we now call, Human Resources. This department once known as, Personnel has now become an end in itself. Human Resources exists supposedly to mediate differences between employees and management. Although we all know the true purpose is to protect the company from litigation. Back in the fifties and sixties there was no need for a Human Resources Department. Looking back, it may seem somewhat barbaric. But men settled differences the old fashioned way. I do not exaggerate when I say there were individuals who took their disagreements out to the parking lot where they settled a score with their fists. I cannot imagine anything remotely like that happening today.

I enjoyed my conversation with the gentleman who had watched the Walt Disney Company change over the decades. In many ways things are better today and I would imagine the kids working at the studio have little knowledge of the past. Most were not even born when we tossed horseshoes and played volleyball on the studio lawn. Back then, Walt Disney took his noontime stroll to the nearby studio commissary as employees sat on park benches and fed the squirrels. We looked up at the California sunshine and had little doubt these were the best years of our lives.

 

Visiting Napa Valley

I'm back at my desk here at the Mouse House after an awesome weekend with our friends up north. I still maintain a fondness for the Bay Area. Especially having worked for Pixar Animation Studios some years ago. Back in the nineties, I made my home in San Raphael because it was only a short drive across the Richmond Bridge to the studio. At that time, Pixar was located in a scruffy industrial park in Point Richmond.

We first arrived in the beautiful, sunny Napa Valley where the weather was simply beautiful. Of course, I don't recall a time when the weather isn't desirable. I love the area in all seasons. Naturally, we had to stop in at Silverado Vineyards for a little wine tasting. Considering our location, this was a must. Saturday meant a short drive to San Francisco and the Walt Disney Family Museum. Author, Don Perri and Pixar producer, Jonas Rivera had a special presentation that afternoon and it was great to see them again. I was also pleased to see a number of old friends who were there that weekend. You can bet I was surprised and delighted when I found some even brought their copies of my book to sign.

June has been a busy month, and I've still got a couple animation and story classes to do. In a few weeks I'll be returning to the Bay Area for another interview. This time around, we'll be discussing Walt Disney's last animated motion picture, and we'll be joined by composer, Richard Sherman. That should be an exciting time, and I'm looking forward to sharing stories about the wonderful time we all had creating Walt Disney's masterpiece, “The Jungle Book.”

 

 

The Amazing Amby Paliwoda

This morning let's talk about another amazing Disney animator you've probably never even heard of. His name is, Ambrozi Paliwoda, but we all knew him as “Amby.” I thought I would take a look at the credits Mr. Paliwoda had racked up over the years and found they were too many to list. It appears Amby Paliwoda worked on darn near everything in his lengthy career. However, I know Amby best as a Disney animator and some years later, we both worked on Bill Cosby's “Fat Albert Special.” But, that's another story.

Amby Paliwoda started at Walt Disney Productions in 1935. Yeesh! That's year I was born and it gives some idea how long Amby's been around. He was one of the charter members who signed the original petition that led to the formation of the Motion Picture Screen Cartoonists, Local 839 IATSE. Today, our union is known as, The Animation Guild. However, Amby was still conservative when it came to politics and he gave our union holy hell when our cheeky newsletter logo began to look a little too “red.” Commies, Amby did not like.

Many stories could be told about Amby Paliwoda but my favorite is the time he chopped up his Disney animation desk in order to build a bass fiddle out of the wood. When Walt Disney heard one of his artists had demolished company property in order to make a musical instrument, the Old Maestro had to come downstairs to see for himself. You would have thought this behavior would have led to immediate dismissal from the company, wouldn't you? Not so with Walt Disney. When the boss saw what Amby Paliwoda had done to the beloved Disney drawing desk, he turned and walked back down the hallway laughing his head off. True story. I kid you not. This was a Disney studio totally unlike today.

“101 Dalmatians” was our last Disney film together. Sadly, once the film was wrapped, Amby and several Disney veterans were given their pink slips. However, yesterday's animators were not like the mild mannered animators of today. Amby Paliwoda called the Disney executive who sacked him, every name but “a child of god.” You're getting this information first hand because I was in A-Wing of the Animation Building when this happened. I also heard stories that Amby literally chased the frightened Disney executive around his desk. This was the Disney Studio that I knew and loved.

Amby Paliwoda's career did not end when he left the Walt Disney Studios. Unlike other sacked artists who trudged home to lick their wounds, the talented Mr. Paliwoda went on to contribute creatively to a ton of stuff over the next several years. One of the shows he worked on in the sixties was “The Fat Albert Special” where he gave life to “Old Weird Harold and a host of Cosby characters. After decades of animating at the Disney Studios, it would appear that Amby Paliwoda was just getting started.

Amby Paliwoda was irascible, old and crusty. He had this wonderful beak of a nose that gave him a distinctive look. He was conservative politically and progressive when it came to art. He was one of most amazing Disney artists I've ever had the pleasure of working with and one of the funniest guys I ever knew.