The Feature

Back in 1957 the motion picture was known only as, “The Feature” and not just anybody was deemed worthy of working on it. In most cases you needed at least a year under your belt to even be considered. Most of us young trainees had cut our teeth on such simple fare as Jiminy Cricket and Donald Duck. However, being a good duck in-betweener hardly impressed anybody. In the Disney view of things you were still in the minor leagues. 

Then came the fateful day when the animation boss, Andy Engman gave you the word to report to a key assistant in D-Wing. It went without saying that coveted D-Wing was the home of Walt Disney's legendary Nine Old Men. If you were summoned to this special wing it meant you were probably being considered for “The Feature.” In those days, the wing was quiet and your footsteps seemed to echo as you made your way down the hallway. Most doors were closed, but a few remained ajar and you quickly glanced at young men and women hunched over their drawing boards. They could have been devoted monks copying biblical text. They worked in silence and with an intensity we had not experienced before. Not even at the Disney Studio. No, boys and girls, this wasn't Donald Duck or Mickey Mouse. Welcome to Walt Disney’s “Sleeping Beauty” where the men are separated from the boys. A few meager in-betweens were doled out among the few of us young artists and we were told to report back later. However, we shouldn't bother returning to this particular location. We were instructed to return to 1D-2 where three lovely young women would evaluate our work. If you think we were getting off easy, think again. The "girls” as women were called back in the old days, were not about to make our lives any easier. These young women were tough. I’d say a good deal tougher than any of the men who occupied the famous wing. We stood like scared school boys as the lovely young Disney veterans looked over our drawings and began to make corrections. After being scolded soundly, we were sent on our way with a stern warning to be more dilligent. Eventually, we upped our game and in time learned how to be a feature quality Disney artist. There was even a Disney happy ending to this challenging ordeal because one of the young men eventually fell in love and married one of his “bosses.”

I thought I would share this story with you because it illustrates what was expected of young Disney artists who saw themselves as possible contributors to this Walt Disney masterpiece. You had to be good to work on “Sleeping Beauty” back in 1958. Actually, to work on this Walt Disney classic you had to be better than good. If you don't believe me, take another look at this amazing Walt Disney animation art. Gorgeous art that still astonishes me even to this day.

 

Original Sleeping Beauty art. You had to be good to work on this Disney motion picture.

Original Sleeping Beauty art. You had to be good to work on this Disney motion picture.